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A | The Kerala Film Producers’ Association recently released a list of Malayalam films that hit theatres in 2025, complete with their reported commercial performance. What was meant to be an industry update has quickly turned into a flashpoint, drawing sharp criticism from filmmakers, actors and audiences alike.A List That Sparked a StormOne of the earliest voices to question the list was Anuraj Manohar, director of Narivetta, which stars Tovino Thomas. The filmmaker took to social media asking why his film was missing from the document and demanded clarity on the criteria used to compile it. His post opened the floodgates, with netizens and industry insiders scrutinising the accuracy and intent behind the classification of films as superhits, hits or otherwise.The controversy only intensified when actor Nivin Pauly weighed in during a press conference held to promote his upcoming film Sarvam Maya. Addressing reporters, Nivin said that publishing such a list was unnecessary and unprecedented. According to him, cinema is a business like any other and every year will naturally see a mix of profit and loss. He argued that there was no reason to put those figures out in public, especially at a time when the Malayalam industry is trying to evolve and attract fresh investment. View this post on Instagram A post shared by Anuraj Radhamani Manohar (@anurajmanohar) Nivin added that making commercial verdicts public in this manner could do more harm than good, as it risks creating a negative perception among potential investors and partners. His statement has since been widely shared, with many agreeing that transparency should not come at the cost of damaging the ecosystem.Confusion Over Hits, Superhits and Missing FilmsAdding to the uproar is the way the association has categorised the year’s releases. Only a small number of films have been labelled as superhits and hits, leaving the majority outside these brackets. This has triggered heated online debates, especially over the classification of certain high-profile titles.A key point of contention is the treatment of Eko and Empuraan. Social media users are questioning why Eko has been listed merely as a hit even though it reportedly earned higher net profits than Empuraan, which the list describes as a superhit. For many, this discrepancy has raised doubts about whether the parameters used were consistent or even reliable. Equally puzzling is the absence of Sumathi Valavu from either the hit or superhit categories. The film enjoyed a healthy run in theatres and generated strong word of mouth, making its omission all the more glaring. Fans and trade observers have since demanded an explanation from the association, arguing that incomplete or selective reporting only erodes trust.The backlash has also revived a broader conversation about Nivin Pauly’s own recent career trajectory. While several of his films over the past few years have struggled at the box office, many of them have been critically appreciated. In this context, his comments are being read not as defensive but as a plea for a more nuanced understanding of success, one that goes beyond financial labels.As the debate rages on, the Kerala Film Producers’ Association has yet to issue a detailed clarification on how the list was prepared or why certain films were excluded. Until then, the document is likely to remain a sore point, serving as a reminder that in an industry built on collaboration, public scorecards can easily backfire.Also Read: Nivin Pauly, Mohanlal and Pranav Spark a Social Media Frenzy With Surprise Jet Photos。 Filmfare recently hosted the 6th edition of the Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. The event celebrated the very best of the digital entertainment world. The evening was filled with heartwarming moments, candid reunions and memorable wins as excellence in OTT storytelling was honoured with the iconic Black Lady. It was nothing short of a grand success, made even more special by the stars who graced the occasion and turned the night into a beautiful amalgamation of joy and celebration.There were certain moments inside the venue that truly stole the spotlight. Heartfelt acceptance speeches, unexpected reunions, candid interactions and picture-perfect red-carpet appearances left a lasting impression. Here are some of the best moments from Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article Alia Bhatt-Vicky Kaushal's reunionThe Boman Irani-Abhishek Bachchan camaraderieWho run the world? Girls (Will Be Girls)Black Warrant's winsHeartwarming speechesAlia Bhatt-Vicky Kaushal's reunion Yes, Alia Bhatt and Vicky Kaushal attended the Filmfare OTT Awards 2025! The Raazi duo, soon to be seen in Sanjay Leela Bhansali's Love & War, was seen engaging in talks and laughter throughout the event. In some candid snaps, it seems that Vicky is showing his newborn baby's photo to Alia. The actress is seen being visibly delighted and smiling warmly The moment quickly became one of the most heart-melting highlights of the night, much to the fans’ joy. The Boman Irani-Abhishek Bachchan camaraderie View this post on Instagram A post shared by Filmfare (@filmfare) Abhishek Bachchan presented the Best Web Original Film: Critics' award to Boman Irani for his directorial debut The Mehta Boys. Elated, Abhishek went up to Boman's seat to take him to the stage. The two shared heartfelt moments as Boman seemed to be visibly emotional. As Boman began his acceptance speech, Abhishek lightened the atmosphere with his trademark humour. He joked about how long the speech might run. He even brought chairs onto the stage, suggesting they sit down and get comfortable. This drew smiles and applause from the audience. Who run the world? Girls (Will Be Girls) View this post on Instagram A post shared by Filmfare (@filmfare) Shuchi Talati directed Girls Will Be Girls won several awards at Filmfare OTT Awards 2025. Starting from Best Film (Web Original) and Best Director (Web Original) to Preeti Panigrahi winning the BEST Actor (Female) Critics' Web Original Film and Kani Kusruti winning Best Supporting Actor, Web Original Film (Female) awards, the show witnessed the entire team going up and accepting the Black Lady again and again. In a heartwarming moment, Richa Chadha, producer of Girls Will Be Girls, also thanked Alia Bhatt for presenting the Best Film (Web Original) award to them. "From one girl mom to another," Richa said, while giving a nod to their daughters Raha Bhatt Kapoor and Zuneyra Ida Fazal. Black Warrant's wins View this post on Instagram A post shared by Filmfare (@filmfare) View this post on Instagram A post shared by Filmfare (@filmfare) Black Warrant won six awards at Filmfare OTT Awards 2025, the second-highest for any series this year. The awards they won include Best Series, Best Director (Series), which went to Vikramaditya Motwane, Satyanshu Singh, Arkesh Ajay, Ambiecka Pandit and Rohin Raveendran. Zahan Kapoor won an award in the Best Actor (Male), Series, Critics: Drama category for his role in the show. Rahul Bhat took the Black Lady home for Best Supporting Actor, Series (Male): Drama category. Satyanshu Singh and Arkesh Ajay won in the Best Adapted Screenplay, Series category. Anurag Thakur won the Breakthrough Performance By A Newcomer (Male), Series award. Heartwarming speeches View this post on Instagram A post shared by Filmfare (@filmfare) View this post on Instagram A post shared by Filmfare (@filmfare) The night was filled with some of the most heartwarming acceptance speeches, each as endearing as the other. Sanya Malhotra could hardly believe her win and broke into uncontrollable giggles on stage. Barun Sobti was caught unprepared and admitted he hadn’t planned a speech at all. Monika Panwar made a special request to have her “Black Lady” placed close to her as she spoke. Jaideep Ahlawat and Kani Kusruti even opened up about the number of Filmfare trophies they have won previously. Together, these moments made the ceremony feel intimate, joyful and truly unforgettable. Also Read: Did Vicky Kaushal Show Alia Bhatt a Photo of His Baby at The Filmfare OTT Awards 2025?。
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